Watch Gomorrah (Gomorra) Movie Online Leaked

Movie Title : Gomorrah (Gomorra)
Release Date : Feb 13, 2008 Wide
Genre Movie :Drama,Art House & International,Mystery & Suspense
Mpaa Rating : Unrated

Actors :Salvatore Cantalupo,Gianfelice Imparato,Maria Nazionale,Toni Servillo,Gigio Morra,Salvatore Abruzzese,Simone Sacchettino,Ciro Petrone,Marco Macor,Carmine Paternoster

Adapted from Roberto Saviano's controversial non-fiction book, Matteo Garrone's crime drama Gomorrah examines how organized crime reaches deep into every facet of life in Naples, Italy by telling the tale of over a dozen different characters. Among the main protagonists is a pair of wannabe thugs who take their cue from movie gangsters, a grocery-delivery boy who must learn to kill, and a criminal mastermind who plots to make a fortune while dumping toxic waste near overpopulated communities. ~ Perry Seibert, Rovi
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User Ranting Movie Gomorrah (Gomorra) : 3.5
User Percentage For Gomorrah (Gomorra) : 68 %
User Count Like for Gomorrah (Gomorra) : 30,713

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New Review For Movie Gomorrah (Gomorra)
Gomorra has its own nerve, as well as the filmmaking intelligence to strip the cliches from its densely packed, authentically inhabited narrative. The new moviegoing year just got one hell of a jolt.
Michael Phillips-Chicago Tribune

The sense of authenticity in this movie is palpable, but the scenes are sometimes so dark and so impenetrable that it takes a herculean effort to keep up with who's who and what's going on.
Jonathan F. Richards-Film.com

Gomorrah manages to be artful without being arty.
Jan Stuart-Washington Post

Garrone's gloomy assessment of the new world order is painfully on target: corruption comes in many guises, and it's as impossible to stop as it is to track.
Peter Howell-Toronto Star

There's nothing extraneous about it, nothing excessive in its violence or its art. It's as desolate as it needs to be and no more.
Amy Biancolli-Houston Chronicle

An unforgettable portrayal of the unglamorous gangster life, which is often short and never sweet.
Jennie Punter-Globe and Mail

This might be one of those movies that are more fun to praise than they actually are to watch.
Will Leitch-Deadspin

Matteo Garrone doesn't so much reinvent the gangster genre as much as he reimagines it, taking all the usual trimmings and turning them inside out.
Al Alexander-The Patriot Ledger

A thrillingly bleak crime pic.
Kelly Vance-East Bay Express

It is a full and frank indictment of a system that has not just failed but utterly decayed and is breeding more and more criminals.
Mike Edwards-What Culture

Thug-life fantasies here provide lures into ruthlessly complex realities and rigmaroles - slamming characters' faces into the rug before it's pulled from beneath them. The notion that anybody could be a don dies in a blaze of energy, rage and ambition.
Nick Rogers-Suite101.com

Despite its disjointed structure, Gomorrah comes to a narrative convergence without ever actually having to bring its stories together. Each climaxes independently, yet it all feels like one piece.
Ian Buckwalter-DCist

By fashioning its stories to get in as much impact as possible, mostly from the stark ugliness of their realities and their bold endings, the movie achieves a satisfying level of effectiveness.
Jeffrey Chen-Window to the Movies

Probably the most authentic and unsentimental mafia movie ever to come out of Italy.
Lee Marshall-Screen International

Check that omerta b.s. at the door. This is all about the bottom line.
Christopher Long-Movie Metropolis

Un film à la fois lourd, tragique et hautement instructif figurant assurément parmi les plus marquants à avoir été réalisés sur le sujet.
Jean-François Vandeuren-Panorama

Dicen mucho más sobre la Camorra las leyendas finales del film que las dos horas y pico que les precedieron.
Enrique Buchichio-Uruguay Total

The result, while admirable, is curiously flat and unengaging.
Nick Dent-Time Out Sydney

It is a challenging approach, and while there is suspense and action (including a spectacular car crash), there is frustration as a result of the regular cutting from one story to another.
Des Partridge-Daily Telegraph (Australia)

We don't get to know the characters, exactly, but we experience something more interesting: we are brought into disconcerting, almost documentary proximity with the lives they lead and the worlds they inhabit.
Philippa Hawker-The Age (Australia)

Could Gomorrah and Il Divo signal the return of Italian political cinema? Here's hoping.
Julie Rigg-MovieTime, ABC Radio National

It's a challenging approach, and while there are some terrific moments within the film, as well as suspense and action (including a spectacularly staged car crash), there's also frustration as a result of the regular cutting from one story to another.
Des Partridge-Courier Mail (Australia)

The portrait it paints of this society in the grip of this tawdry but immensely powerful and rich organization is scary indeed.
Margaret Pomeranz-At the Movies (Australia)

Gomorrha transcends its medium and evidences humanity at its most despicable, and rates as an unconventional and unmissable instant classic.
Hernán Alcerreca-FILMINK (Australia)

The film's power in capturing some of the seemingly banal moments of everyday life punctuate with bang-bang fervor the human loss that accumulates later.
Michael Smith-Tulsa World

The sinewy production could almost pass for documentary %u2013 if only doco makers could get such amazing access. But that's why the film has been hailed as groundbreaking. It is also heartbreaking.
Andrew L. Urban-Urban Cinefile